{"id":1975,"date":"2014-09-24T10:52:09","date_gmt":"2014-09-24T08:52:09","guid":{"rendered":"http:\/\/rebeccaockenden.com\/wp_ockenden\/presse-2\/"},"modified":"2023-03-02T09:23:28","modified_gmt":"2023-03-02T08:23:28","slug":"presse","status":"publish","type":"page","link":"https:\/\/rebeccaockenden.com\/fr\/presse\/","title":{"rendered":"Presse"},"content":{"rendered":"

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Rebecca Ockenden\u00a0 Soprano<\/h3>\n

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Presse<\/h1>\n

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Rebecca Ockenden fut la chanteuse qui r\u00e9ussit \u00e0 faire ressortir le plus remarquablement la nature th\u00e9\u00e2trale de l\u2019oratorio de Haendel. Sa voix flexible aux vocalises assur\u00e9es a d\u00e9peint de fa\u00e7on vivante les \u00e9motions changeantes d\u2019Athalia.
Haendel\u00a0Athalia
<\/em>Basler Zeitung<\/p>\n

Rebecca Ockenden, dont la voix est sans d\u00e9faut, d\u00e9pourvue de mani\u00e8res, mais extr\u00eamement souple, a exprim\u00e9 le texte avec \u00e9loquence.
Haendel\u00a0Messiah
<\/em>B\u00fcndner Tagblatt<\/p>\n

Rebecca Ockenden apporte \u00e0 son r\u00f4le de charmante Iphis une saveur particuli\u00e8re et personnelle, gr\u00e2ce \u00e0 son timbre cors\u00e9 et sa voix merveilleusement lumineuse.
Haendel\u00a0Jephtha
<\/em>Engadiner Post<\/p>\n

La soprano Rebecca Ockenden nous a fourni une interpr\u00e9tation \u00e9th\u00e9r\u00e9e et d\u00e9licatement phras\u00e9e de la superbe m\u00e9lodie \u2018Fairest Isle\u2019.
Purcell\u00a0King Arthur
<\/em>Les Arts Florissants, William Christie
San Francisco Classical Voice<\/p>\n

Le duo entre Cloris et Z\u00e9phyre, parfaitement interpr\u00e9t\u00e9 ici par Ga\u00eblle M\u00e9chaly et Rebecca Ockenden, dont les voix fra\u00eeches et limpides poss\u00e8dent le caract\u00e8re dramatique id\u00e9al, est un bon exemple de l\u2019\u00e9criture de dialogues magistrale de Rameau.
Rameau\u00a0Z\u00e9phyre
<\/em>Les Arts Florissants, William Christie
Filom\u00fasica, Spain<\/p>\n

Cloris se soumet \u00e0 son destin, un second r\u00f4le caract\u00e9ris\u00e9 ici par le timbre particulier et chaleureux de Rebecca Ockenden.
Rameau\u00a0Z\u00e9phyre
<\/em>Les Arts Florissants, William Christie
Gramophone\u00a0Magazine<\/p>\n

Rebecca Ockenden, soprano merveilleuse, a touch\u00e9 les c\u0153urs du public avec son timbre pur.
Mendelssohn\u00a0Psaume 42
<\/em>S\u00fcdostschweiz<\/p>\n

Rebecca Ockenden nous a offert une performance vocale tr\u00e8s agr\u00e9able dans tous ses arias et r\u00e9citatifs. Une voix de soprano ronde et belle, avec un riche \u00e9ventail d\u2019expression.
Mendelssohn\u00a0Psaume 42<\/em>
Engadiner Post<\/p>\n

La performance de la soprano Rebecca Ockenden \u00e9tait ravissante. Sa voix claire remplissait sans effort la salle.
Orff\u00a0Carmina Burana<\/em>
<\/em>Neue Zuger Zeitung<\/p>\n

La voix de soprano de Rebecca Ockenden a fait preuve de souplesse et d\u2019une joyeuse virtuosit\u00e9 dans ses vocalises, tout en se fondant ais\u00e9ment dans les ensembles.
Haydn\u00a0Messe Nelson<\/em>\u00a0et Bach\u00a0Magnifica<\/em>t
Neue Zuger Zeitung<\/p>\n

Parmi les solistes ce fut Rebecca Ockenden qui se distingua avec sa voix lumineuse et merveilleusement fluide.
Hasse\u00a0Miserere
<\/em>Basellandschaftliche Zeitung<\/p>\n

Il fut d\u00e9montr\u00e9 par Sophie Daneman et Rebecca Ockenden \u00e0 quel point le monde de l\u2019op\u00e9ra est actuellement dot\u00e9 de sopranos fort talentueuses.
Rameau\u00a0Z\u00e9phyre<\/em>\u00a0et\u00a0La Guirlande
<\/em>Les Arts Florissants, William Christie
Berlinonline<\/p>\n

Les deux sopranos, Sophie Daneman et Rebecca Ockenden, aux voix extr\u00eamement vivantes et flexibles, sont \u00e9galement convaincantes dans leurs airs solo.
Desmarest\u00a0Les<\/em>\u00a0Grands Motets Lorrains
<\/em>Les Arts Florissants, William Christie
klassik.com<\/p>\n

Rebecca Ockenden est une Pamina assur\u00e9e au beau timbre.
Mozart\u00a0Die Zauberfl\u00f6te<\/em>, Goetheanum
Basler Zeitung<\/p>\n

Son timbre tr\u00e8s personnel ose s\u2019aventurer jusqu\u2019aux limites m\u00eames de l\u2019expression du chagrin et du d\u00e9sespoir d\u2019une fa\u00e7on tout \u00e0 fait naturaliste, sans jamais compromettre la coh\u00e9rence artistique de l\u2019ensemble.
Monteverdi\u00a0Pianto della Madonna<\/em>\u00a0et\u00a0Lamento d\u2019Arianna
<\/em>Wiesbadener Kurier<\/p>\n

Son chant correspond \u00e0 l\u2019id\u00e9al baroque: une empathie contemplative avec le contenu int\u00e9rieur de la musique se d\u00e9veloppe vocalement avec puissance; le point central de son chant est capable, comme un genre de tourbillon, de captiver l\u2019auditeur sensible.
Monteverdi\u00a0Scherzi musicali<\/em>, Lambert\u00a0Airs de cour<\/em>, Purcell\u00a0Songs
<\/em>Wiesbadener Kurier<\/p>\n

De Rebecca Ockenden \u00e9mane une personnalit\u00e9 musicale exceptionnelle. En t\u00e9moigne la simplicit\u00e9 rayonnante avec laquelle elle chantait l\u2019air \u201cHier erstarrt mein Herz und Blut\u201d.
Keiser\u00a0Markus-Passion
<\/em>Wiesbadener Tagblatt<\/p>\n

Parmi les solistes Rebecca Ockenden nous a donn\u00e9 le plus de plaisir, sa voix de soprano sonnait aussi bien dans le grave que dans l\u2019aigu.
Haendel\u00a0Alexander\u2019s Feast
<\/em>Basler Zeitung<\/p>\n

Rebecca Ockenden, soprane aux aigus cristallins, a rayonn\u00e9 de fa\u00e7on propice aux airs pour sa tessiture.
Haendel,\u00a0Messiah
<\/em>Nice-Matin<\/p>\n

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Lute songs<\/strong><\/p>\n

Elles ont offert du pur bonheur. La v\u00e9rit\u00e9 de ton, l\u2019expression juste et finement dos\u00e9e, une voix lumineuse ont touch\u00e9 les c\u0153urs au plus profond. Ces deux dames \u00e9taient des f\u00e9es et l\u2019on eut bien du mal \u00e0 s\u2019extirper du monde dans lequel on avait \u00e9t\u00e9 plong\u00e9 par la seule force de leur sinc\u00e8re conviction.
Programme\u00a0Love\u2019s Labour\u2019s Lost<\/em>
Crescendo Magazine, Bruxelles<\/p>\n

Deux parcours brillants et d\u00e9j\u00e0 bien remplis pour ces jeunes musiciennes qui propos\u00e8rent un programme raffin\u00e9, centr\u00e9 sur le passage du madrigal \u00e0 l’\u00a0\u00bbayre\u00a0\u00bb, dans l\u2019Angleterre du XVIIe, avec Dowland en point de mire. Un floril\u00e8ge o\u00f9 le luth se r\u00e9v\u00e9la aussi captivant que le chant agile, expressif et pur de la soprano, notant, chez cette derni\u00e8re, une articulation et une \u00e9loquence soutenues par un don de sc\u00e8ne r\u00e9jouissant. Concert cisel\u00e9, salu\u00e9 par une longue ovation.
Programme\u00a0Love\u2019s Labour\u2019s Lost<\/em>, Festival Midi-Minimes, Brussels
La Libre Belgique<\/p>\n

Ceci est un beau disque. Rebecca Ockenden est une tr\u00e8s bonne soprano; le chant, ainsi que le jeu du luth sont excellents. Ce sont des pi\u00e8ces vocales exigeantes, qui montent dans l\u2019aigu, qui n\u00e9cessitent une voix puissante et bien projet\u00e9e, ici exprim\u00e9es avec juste ce qu\u2019il faut de pittoresque dans la d\u00e9clamation. Tous ceux qui s\u2019int\u00e9ressent \u00e0 ce r\u00e9pertoire devraient acqu\u00e9rir ce disque.
CD:\u00a0Mistress Elizabeth Davenant, her Songes
<\/em>Early Music Review, U.K.<\/p>\n

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Rebecca Ockenden\u00a0 Soprano Presse Rebecca Ockenden fut la chanteuse qui r\u00e9ussit \u00e0 faire ressortir le plus remarquablement la nature th\u00e9\u00e2trale de l\u2019oratorio de Haendel. Sa voix flexible aux vocalises assur\u00e9es a d\u00e9peint de fa\u00e7on vivante les \u00e9motions changeantes d\u2019Athalia.Haendel\u00a0AthaliaBasler Zeitung Rebecca Ockenden, dont la voix est sans d\u00e9faut, d\u00e9pourvue de mani\u00e8res, mais extr\u00eamement souple, a […]<\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1975","page","type-page","status-publish","hentry"],"yoast_head":"\nPresse » Rebecca Ockenden<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rebeccaockenden.com\/fr\/presse\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Presse » Rebecca Ockenden\" \/>\n<meta property=\"og:description\" content=\"Rebecca Ockenden\u00a0 Soprano Presse Rebecca Ockenden fut la chanteuse qui r\u00e9ussit \u00e0 faire ressortir le plus remarquablement la nature th\u00e9\u00e2trale de l\u2019oratorio de Haendel. 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