{"id":1949,"date":"2014-10-29T17:02:27","date_gmt":"2014-10-29T16:02:27","guid":{"rendered":"http:\/\/rebeccaockenden.com\/wp_ockenden\/?page_id=1949"},"modified":"2023-03-04T11:12:00","modified_gmt":"2023-03-04T10:12:00","slug":"lute-songs-2","status":"publish","type":"page","link":"https:\/\/rebeccaockenden.com\/fr\/lute-songs-2\/","title":{"rendered":"LUTE SONGS"},"content":{"rendered":"

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REBECCA OCKENDEN ET SOFIE VANDEN EYNDE<\/h3>\n

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Lute songs<\/h1>\n

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\u00abElles ont offert du pur bonheur. La v\u00e9rit\u00e9 du ton, l\u2019expression juste et finement dos\u00e9e, une voix lumineuse ont touch\u00e9 les c\u0153urs au plus profond. Ces deux dames \u00e9taient des f\u00e9es et l\u2019on eut bien du mal \u00e0 s\u2019extirper du monde dans lequel on avait \u00e9t\u00e9 plong\u00e9 par la seule force de leur sinc\u00e8re conviction.\u00bb<\/p>\n

Programme\u00a0<\/span>Love\u2019s Labour\u2019s Lost
<\/em>Crescendo Magazine, Bruxelles<\/p>\n

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\u00abCeci est un beau disque. Rebecca Ockenden est une tr\u00e8s bonne soprano; le chant, ainsi que le jeu du luth sont excellents. Ce sont des pi\u00e8ces vocales exigeantes, qui montent dans l\u2019aigu, qui n\u00e9cessitent une voix puissante et bien projet\u00e9e, ici exprim\u00e9es avec juste ce qu\u2019il faut de pittoresque dans la d\u00e9clamation. Tous ceux qui s\u2019int\u00e9ressent \u00e0 ce r\u00e9pertoire devraient acqu\u00e9rir ce disque.\u00bb<\/p>\n

CD:\u00a0<\/span>Mistress Elizabeth Davenant, her Songes
<\/em>Early Music Review, U.K.<\/p>\n

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content_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb icon_color_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb icon_font_size_tablet=\u00a0\u00bb\u00a0\u00bb icon_font_size_phone=\u00a0\u00bb14px\u00a0\u00bb icon_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb open_icon_color_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb open_icon_font_size_tablet=\u00a0\u00bb\u00a0\u00bb open_icon_font_size_phone=\u00a0\u00bb14px\u00a0\u00bb open_icon_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n\n\n\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Museumsdag, Bruges, Belgique<\/td>So Sounds my Muse<\/td>\n<\/tr>\n
Waldaukapelle, Berne, Suisse<\/td>So Sounds my Muse<\/td>\n<\/tr>\n
St. George\u2019s, Bloomsbury, Londres<\/td>Love\u2019s Labour\u2019s Lost<\/td>\n<\/tr>\n
London \u2028Handel Festival<\/td>Love\u2019s Labour\u2019s Lost<\/td>\n<\/tr>\n
Willebroek, Belgique<\/td>Mistress Elizabeth Davenant, her Songes<\/td>\n<\/tr>\n
Schloss Schleissheim, Munich<\/td>Love\u2019s Labour\u2019s Lost<\/td>\n<\/tr>\n
Grachtenfestival, Amsterdam<\/td>Love\u2019s Labour\u2019s Lost<\/td>\n<\/tr>\n
Festival van Vlaanderen, Belgique<\/td>Mistress Elizabeth Davenant, her Songes<\/td>\n<\/tr>\n
BOZAR op zondag, Bruxelles<\/td>Love\u2019s Labour\u2019s Lost<\/td>\n<\/tr>\n
National Gallery, Londres<\/td>Love\u2019s Labour\u2019s Lost<\/td>\n<\/tr>\n
Malle, Belgique<\/td>Mistress Elizabeth Davenant, her Songes<\/td>\n<\/tr>\n
Villarte, Sint-Truiden, Belgique<\/td>Mistress Elizabeth Davenant, her Songes<\/td>\n<\/tr>\n
Abendmusiken, Brugg, Suisse<\/td>Love\u2019s Labour\u2019s Lost<\/td>\n<\/tr>\n
Wadham College, Oxford<\/td>Music for the Petre Family<\/td>\n<\/tr>\n
Holywell Music Room, Oxford<\/td>Mistress Elizabeth Davenant, her Songes<\/td>\n<\/tr>\n
Niklauskapelle, B\u00e2le, Suisse<\/td>Mistress Elizabeth Davenant, her Songes<\/td>\n<\/tr>\n
Waldaukapelle, Berne, Suisse<\/td>Mistress Elizabeth Davenant, her Songes<\/td>\n<\/tr>\n
Leuven, Belgique<\/td>Mistress Elizabeth Davenant, her Songes<\/td>\n<\/tr>\n
Waver, Belgique<\/td>Mistress Elizabeth Davenant, her Songes<\/td>\n<\/tr>\n
Diksmuide, Belgique<\/td>Love\u2019s Labour\u2019s Lost<\/td>\n<\/tr>\n
Ghent, Belgique<\/td>Love\u2019s Labour\u2019s Lost<\/td>\n<\/tr>\n
Midis-Minimes, Bruxelles<\/td>Love\u2019s Labour\u2019s Lost<\/td>\n<\/tr>\n
Sint-Niklaas, Belgique<\/td>Love\u2019s Labour\u2019s Lost<\/td>\n<\/tr>\n
concert priv\u00e9, Bruxelles<\/td>Love\u2019s Labour\u2019s Lost<\/td>\n<\/tr>\n
Klosterkirche Muri, Suisse<\/td>Love\u2019s Labour\u2019s Lost<\/td>\n<\/tr>\n
Waldaukapelle Berne, Suisse<\/td>Love\u2019s Labour\u2019s Lost<\/td>\n<\/tr>\n
Pianofortino, B\u00e2le, Suisse<\/td>Love\u2019s Labour\u2019s Lost<\/td>\n<\/tr>\n
Holywell Music Room, Oxford<\/td>Love\u2019s Labour\u2019s Lost<\/td>\n<\/tr>\n
St.Markus-Kirche, B\u00e2le, Suisse<\/td>Love\u2019s Labour\u2019s Lost<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n

Programmes avec\u00a0<\/span>Sofie Vanden Eynde:<\/strong><\/p>\n

Love\u2019s Labour\u2019s Lost
Mistress Elizabeth Davenant, her Songes
So Sounds my Muse<\/p>\n

Programme avec Or\u00ed Harmelin:<\/strong><\/p>\n

Je suis le luth<\/p>\n

[\/et_pb_accordion_item][et_pb_accordion_item title=\u00a0\u00bbLove\u2019s Labour\u2019s Lost (Peines d\u2019amour perdues)\u00a0\u00bb icon_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb use_icon_font_size=\u00a0\u00bbon\u00a0\u00bb icon_font_size=\u00a0\u00bb18px\u00a0\u00bb open_icon_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb open_use_icon_font_size=\u00a0\u00bbon\u00a0\u00bb open_icon_font_size=\u00a0\u00bb18px\u00a0\u00bb title_last_edited=\u00a0\u00bboff|tablet\u00a0\u00bb content_last_edited=\u00a0\u00bboff|tablet\u00a0\u00bb closed_toggle_text_color_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_text_color_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_text_color_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb icon_color_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb icon_font_size_tablet=\u00a0\u00bb\u00a0\u00bb icon_font_size_phone=\u00a0\u00bb14px\u00a0\u00bb icon_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb open_icon_color_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb open_icon_font_size_tablet=\u00a0\u00bb\u00a0\u00bb open_icon_font_size_phone=\u00a0\u00bb14px\u00a0\u00bb open_icon_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb-31px||||false|false\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb\u00a0\u00bb custom_margin_phone=\u00a0\u00bb\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb\u00a0\u00bb custom_padding_phone=\u00a0\u00bb\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb closed_toggle_font_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_font_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_font_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb closed_toggle_text_align_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_text_align_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_text_align_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb closed_toggle_font_size_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_font_size_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_font_size_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb closed_toggle_letter_spacing_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_letter_spacing_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_letter_spacing_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb closed_toggle_line_height_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_line_height_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_line_height_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb open=\u00a0\u00bboff\u00a0\u00bb]Dans ce programme, des chansons de Dowland se juxtaposent \u00e0 d\u2019autres qui, apparaissent, ou sont mentionn\u00e9es dans les \u0153uvres de Shakespeare. Le programme est compl\u00e9t\u00e9 par des pi\u00e8ces pour luth solo et des monologues shakespeariens.<\/p>\n

A une ouverture plut\u00f4t optimiste et joyeuse (\u00ab\u00a0Come away\u00a0\u00bb de Dowland), o\u00f9 l\u2019amant supplie sa bien-aim\u00e9e de cueillir le jour, succ\u00e8de un cort\u00e8ge d\u2019amants abandonn\u00e9s et soupirants d\u00e9sesp\u00e9r\u00e9s. La figure de l\u2019amant ardent, recevant un accueil glacial aupr\u00e8s de l\u2019objet de son d\u00e9sir, pr\u00e9domine. Nous entrapercevons \u00e9galement des personnages f\u00e9minins frustr\u00e9s comme, par exemple, dans le r\u00e9cit de Dulcina trahie ou dans le monologue de Viola, tir\u00e9 de La Nuit des Rois<\/em>.<\/p>\n

Ce programme fournit l\u2019occasion parfaite d\u2019observer \u00e0 quel point ces th\u00e8mes sont intemporels et comment textes et musiques m\u00e9lancoliques peuvent avoir un effet\u00a0revigorant et cathartique sur l\u2019auditeur.[\/et_pb_accordion_item][et_pb_accordion_item title=\u00a0\u00bbMistress Elizabeth Davenant, her Songes\u00a0\u00bb icon_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb use_icon_font_size=\u00a0\u00bbon\u00a0\u00bb icon_font_size=\u00a0\u00bb18px\u00a0\u00bb open_icon_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb open_use_icon_font_size=\u00a0\u00bbon\u00a0\u00bb open_icon_font_size=\u00a0\u00bb18px\u00a0\u00bb title_last_edited=\u00a0\u00bboff|tablet\u00a0\u00bb content_last_edited=\u00a0\u00bboff|tablet\u00a0\u00bb closed_toggle_text_color_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_text_color_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_text_color_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb icon_color_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb icon_font_size_tablet=\u00a0\u00bb\u00a0\u00bb icon_font_size_phone=\u00a0\u00bb14px\u00a0\u00bb icon_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb open_icon_color_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb open_icon_font_size_tablet=\u00a0\u00bb\u00a0\u00bb open_icon_font_size_phone=\u00a0\u00bb14px\u00a0\u00bb open_icon_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb-31px||||false|false\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb\u00a0\u00bb custom_margin_phone=\u00a0\u00bb\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb\u00a0\u00bb custom_padding_phone=\u00a0\u00bb\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb closed_toggle_font_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_font_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_font_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb closed_toggle_text_align_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_text_align_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_text_align_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb closed_toggle_font_size_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_font_size_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_font_size_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb closed_toggle_letter_spacing_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_letter_spacing_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_letter_spacing_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb closed_toggle_line_height_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_line_height_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_line_height_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb open=\u00a0\u00bboff\u00a0\u00bb]<\/p>\n

Dans la biblioth\u00e8que de Christ Church \u00e0 Oxford il se trouve un manuscrit portant le nom de \u2018Mistress Davenant\u2019 et dat\u00e9 de 1624.<\/p>\n

Cette collection \u00e9clectique donne un excellent aper\u00e7u du changement de go\u00fbt qui survint dans les ann\u00e9es 1620. Elle est non seulement tourn\u00e9e vers le pass\u00e9 et l\u2019\u00e2ge d\u2019or de la lute song<\/em>, avec des \u0153uvres de Thomas Campion\u00a0; mais aussi vers la g\u00e9n\u00e9ration suivante avec les chansons au fort contexte th\u00e9\u00e2tral de Robert Johnson\u00a0; ainsi que vers le futur avec la nouvelle g\u00e9n\u00e9ration des \u00abPo\u00e8tes Cavaliers\u00bb, tels que Robert Herrick, et les compositeurs qui furent leurs contemporains: John Wilson et Henry Lawes.<\/p>\n

Nous ne pouvons savoir exactement \u00e0 quel point Elizabeth Davenant fut impliqu\u00e9e dans le choix des pi\u00e8ces\u00a0: le manuscrit fut-il \u00e9crit par son professeur de musique, ou sur commande\u00a0?<\/p>\n

Il est clair que les chansons furent choisies pour \u00eatre destin\u00e9es \u00e0 une jeune dame de talent et l\u2019importance de l\u2019ornementation vocale des nombreuses pi\u00e8ces de la collection laisse pr\u00e9sumer une conscience \u00e9lev\u00e9e des styles d\u2019ex\u00e9cution des ann\u00e9es 1620.<\/p>\n

Ce qui est aujourd\u2019hui une obscure collection priv\u00e9e faisait alors partie de l\u2019avant-garde.<\/p>\n

[\/et_pb_accordion_item][et_pb_accordion_item title=\u00a0\u00bbSo Sounds my Muse\u00a0\u00bb icon_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb use_icon_font_size=\u00a0\u00bbon\u00a0\u00bb icon_font_size=\u00a0\u00bb18px\u00a0\u00bb open_icon_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb open_use_icon_font_size=\u00a0\u00bbon\u00a0\u00bb open_icon_font_size=\u00a0\u00bb18px\u00a0\u00bb title_last_edited=\u00a0\u00bboff|tablet\u00a0\u00bb content_last_edited=\u00a0\u00bboff|tablet\u00a0\u00bb closed_toggle_text_color_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_text_color_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_text_color_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb icon_color_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb icon_font_size_tablet=\u00a0\u00bb\u00a0\u00bb icon_font_size_phone=\u00a0\u00bb14px\u00a0\u00bb icon_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb open_icon_color_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb open_icon_font_size_tablet=\u00a0\u00bb\u00a0\u00bb open_icon_font_size_phone=\u00a0\u00bb14px\u00a0\u00bb open_icon_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb-31px||||false|false\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb\u00a0\u00bb custom_margin_phone=\u00a0\u00bb\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb\u00a0\u00bb custom_padding_phone=\u00a0\u00bb\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb closed_toggle_font_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_font_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_font_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb closed_toggle_text_align_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_text_align_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_text_align_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb closed_toggle_font_size_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_font_size_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_font_size_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb closed_toggle_letter_spacing_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_letter_spacing_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_letter_spacing_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb closed_toggle_line_height_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_line_height_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_line_height_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb open=\u00a0\u00bboff\u00a0\u00bb]Ce programme se concentre sur le personnage de Lucy, Comtesse de Bedford (1580\u20131627), dame de cour et m\u00e9c\u00e8ne.<\/p>\n

Elle fut nomm\u00e9e \u2018Dame du Lit\u2019 par la reine Anne de Danemark, devint par la suite sa confidente et dansa dans plusieurs masques \u00e0 la cour jacob\u00e9enne. Elle fut d\u00e9dicataire du deuxi\u00e8me livre de chansons et airs de Dowland et fut m\u00e9c\u00e8ne de maints po\u00e8tes illustres de l\u2019\u00e9poque, John Donne, Ben Jonson et Samuel Daniel inclus.<\/p>\n

Ce programme se compose de quatre parties:<\/p>\n

    \n
  • Des chansons de masques de Ben Jonson, mises en musique par Ferrabosco<\/li>\n
  • Des po\u00e8mes de Samuel Daniel mis en musique par son fr\u00e8re John Danyel<\/li>\n
  • Les cinq premi\u00e8res chansons du deuxi\u00e8me livre de chansons et d\u2019airs de Dowland<\/li>\n
  • Des po\u00e8mes de John Donne, mis en musique par Coprario et Ferrabosco<\/li>\n<\/ul>\n

    Le programme est compl\u00e9t\u00e9 par des morceaux pour luth solo de Dowland et Holborne, des po\u00e8mes de John Donne et Ben Jonson adress\u00e9s \u00e0 la Comtesse m\u00eame, et une lettre de Lucy, Comtesse de Bedford \u00e0 son amie proche, Jane Cornwallis Bacon.[\/et_pb_accordion_item][et_pb_accordion_item title=\u00a0\u00bbJe suis le luth\u00a0\u00bb icon_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb use_icon_font_size=\u00a0\u00bbon\u00a0\u00bb icon_font_size=\u00a0\u00bb18px\u00a0\u00bb open_icon_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb open_use_icon_font_size=\u00a0\u00bbon\u00a0\u00bb open_icon_font_size=\u00a0\u00bb18px\u00a0\u00bb title_last_edited=\u00a0\u00bboff|tablet\u00a0\u00bb content_last_edited=\u00a0\u00bboff|tablet\u00a0\u00bb closed_toggle_text_color_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_text_color_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_text_color_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb icon_color_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb icon_font_size_tablet=\u00a0\u00bb\u00a0\u00bb icon_font_size_phone=\u00a0\u00bb14px\u00a0\u00bb icon_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb open_icon_color_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb open_icon_font_size_tablet=\u00a0\u00bb\u00a0\u00bb open_icon_font_size_phone=\u00a0\u00bb14px\u00a0\u00bb open_icon_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb-31px||||false|false\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb\u00a0\u00bb custom_margin_phone=\u00a0\u00bb\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb\u00a0\u00bb custom_padding_phone=\u00a0\u00bb\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb closed_toggle_font_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_font_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_font_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb closed_toggle_text_align_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_text_align_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_text_align_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb closed_toggle_font_size_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_font_size_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_font_size_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb closed_toggle_letter_spacing_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_letter_spacing_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_letter_spacing_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb closed_toggle_line_height_tablet=\u00a0\u00bb\u00a0\u00bb closed_toggle_line_height_phone=\u00a0\u00bb\u00a0\u00bb closed_toggle_line_height_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb open=\u00a0\u00bboff\u00a0\u00bb]<\/p>\n

    Ce programme d\u2019une heure nous emm\u00e8ne en voyage \u00e0 la d\u00e9couverte du luth et de la lute song<\/em>, depuis son \u00e2ge d\u2019or dans les ann\u00e9es 1600 jusqu\u2019\u00e0 aujourd\u2019hui. Des pi\u00e8ces de circonstance pour luth solo et des textes parl\u00e9s enrichissent la tapisserie des lute songs<\/em>.<\/p>\n

    Ce programme de pi\u00e8ces du 17\u00e8me est jalonn\u00e9\u00a0de compositions contemporaines d\u2019Anthony Rooley. Dans le recueil\u00a0 intitul\u00e9 \u2018Orphan Wailings\u2019, sa mise en musique sensible, touchante et parfois humoristique des po\u00e8mes du 17\u00e8me si\u00e8cle, s\u2019inspire du pass\u00e9, mais, par ses dissonances et ses singularit\u00e9s rythmiques, prend place r\u00e9solument dans la musique d\u2019aujourd\u2019hui.<\/p>\n

    Une \u0153uvre contemporaine pour luth et voix de Hans-J\u00fcrg Meier, \u2018Signe d\u2019Amante\u2019, compl\u00e8te le programme. Celle-ci nous am\u00e8ne d\u00e9finitivement dans le 21\u00e8me si\u00e8cle et nous offre une nouvelle approche de l\u2019\u00e9criture des lute songs<\/em> et de la relation entre le luth et la voix.<\/p>\n

    Le luth reste textuellement central pendant tout le programme: les po\u00e8mes d\u00e9clam\u00e9s \u00e9voquent les caract\u00e9ristiques de l\u2019instrument, les \u00e9motions qu\u2019il suscite et le r\u00f4le qu\u2019il joue.<\/p>\n

    Rebecca Ockenden et Or\u00ed Harmelin cr\u00e9ent une ambiance saisissante et pourtant intime; la th\u00e9\u00e2tralit\u00e9 des textes leur inspire une profondeur d\u2019expression, ainsi qu\u2019une libert\u00e9 sc\u00e9nique toutes particuli\u00e8res.<\/p>\n

    Concerts pass\u00e9s:\u00a0\u00a0 Gare du Nord, Basel et Stadtkirche, Brugg<\/p>\n

     <\/p>\n

    \u00ab\u00a0Je suis le luth. Veux-tu d\u00e9crire
    mon corps, ses courbes belles et galb\u00e9es:
    parles-en comme du galbe
    d\u2019une figue m\u00fbre. Amplifie<\/em><\/p>\n

    l\u2019obscurit\u00e9 qu\u2019en moi tu vois. Ce fut
    l\u2019obscur de Tullia*. En son sexe
    il n\u2019en fut point autant, et la clart\u00e9
    de ses cheveux \u00e9tait comme une salle claire.<\/em><\/p>\n

    \u00a0Pour faire passer en son front
    quelques sons elle effleurait mes cordes
    et chantait. Et contre sa faiblesse
    je me tendais, – mon \u00e2me \u00e9tait en elle.\u00a0\u00bb<\/em><\/p>\n

    Rainer Maria RILKE – Le Luth, traduction de Jacques Legrand<\/p>\n

    *<\/em> il s\u2019agit vraisemblablement de Tullia d\u2019Aragon, courtisane, po\u00e9tesse italienne n\u00e9e \u00e0 Rome vers 1510 et auteur\u00a0 du \u201cDialogo dell\u2019Infinit\u00e0 d\u2019Amore\u201d (1547)<\/em><\/span><\/p>\n

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    REBECCA OCKENDEN ET SOFIE VANDEN EYNDELute songs\u00abElles ont offert du pur bonheur. La v\u00e9rit\u00e9 du ton, l\u2019expression juste et finement dos\u00e9e, une voix lumineuse ont touch\u00e9 les c\u0153urs au plus profond. Ces deux dames \u00e9taient des f\u00e9es et l\u2019on eut bien du mal \u00e0 s\u2019extirper du monde dans lequel on avait \u00e9t\u00e9 plong\u00e9 par la […]<\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1949","page","type-page","status-publish","hentry"],"yoast_head":"\nLUTE SONGS » Rebecca Ockenden<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rebeccaockenden.com\/fr\/lute-songs-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LUTE SONGS » Rebecca Ockenden\" \/>\n<meta property=\"og:description\" content=\"REBECCA OCKENDEN ET SOFIE VANDEN EYNDELute songs\u00abElles ont offert du pur bonheur. La v\u00e9rit\u00e9 du ton, l\u2019expression juste et finement dos\u00e9e, une voix lumineuse ont touch\u00e9 les c\u0153urs au plus profond. Ces deux dames \u00e9taient des f\u00e9es et l\u2019on eut bien du mal \u00e0 s\u2019extirper du monde dans lequel on avait \u00e9t\u00e9 plong\u00e9 par la […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/rebeccaockenden.com\/fr\/lute-songs-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Rebecca Ockenden\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-04T10:12:00+00:00\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/rebeccaockenden.com\\\/fr\\\/lute-songs-2\\\/\",\"url\":\"https:\\\/\\\/rebeccaockenden.com\\\/fr\\\/lute-songs-2\\\/\",\"name\":\"LUTE SONGS » Rebecca Ockenden\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/rebeccaockenden.com\\\/fr\\\/#website\"},\"datePublished\":\"2014-10-29T16:02:27+00:00\",\"dateModified\":\"2023-03-04T10:12:00+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/rebeccaockenden.com\\\/fr\\\/lute-songs-2\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/rebeccaockenden.com\\\/fr\\\/lute-songs-2\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/rebeccaockenden.com\\\/fr\\\/lute-songs-2\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/rebeccaockenden.com\\\/fr\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"LUTE SONGS\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/rebeccaockenden.com\\\/fr\\\/#website\",\"url\":\"https:\\\/\\\/rebeccaockenden.com\\\/fr\\\/\",\"name\":\"Rebecca Ockenden\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/rebeccaockenden.com\\\/fr\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"LUTE SONGS » Rebecca Ockenden","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/rebeccaockenden.com\/fr\/lute-songs-2\/","og_locale":"fr_FR","og_type":"article","og_title":"LUTE SONGS » Rebecca Ockenden","og_description":"REBECCA OCKENDEN ET SOFIE VANDEN EYNDELute songs\u00abElles ont offert du pur bonheur. 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